ARQUITECTURA ⇔ MÚSICA   MATERIA ⇔ VACÍO   CUERPO ⇔ ENERGÍA   LO FÍSICO ⇔ LA FRECUENCIA RECEPTOR/ TRANSMISOR ⇔ SEÑAL    SENTIMIENTOS ⇔ PENSAMIENTOS   INSPIRACIÓN ⇔ IMAGINACIÓN   DIE ARCHITEKTUR IST FÜR DIE MUSIK,   WIE DIE MATERIE FÜR DIE LEERE,  WIE DER KÖRPER FÜR DIE ENERGIE,  WIE DAS PHYSISCHE FÜR DIE FREQUENZ,   WIE EIN EMPFÄNGER/SENDER FÜR DAS SIGNAL,  WIE DIE GEFÜHLE FÜR DIE GEDANKEN,  WIE DIE  INSPIRATION FÜR DIE VORSTELLUNGSKRAFT      ARCHITECTURE = MUSIC    MATTER = VOID    BODY = ENERGY      PHYSICAL =FREQUENCY RECEIVER/TRANSMITTER = SIGNAL     FEELINGS =THOUGHTS    INSPIRATION = IMAGINATION  

CEC
ILI
APA
ZNE
RCA
SSE
AUG
IBS
ON
2023
2022
06-11_Outer Membrane that blows at Me 08_Ingredients to Nourish the Membrane of the Present 06_Dreaming LAB
05_CTM Festival Hacklab Contact
04_Fuga Substance 03_Copula Series. Silent Soundscapes
2021
10-12_Silence Accoustic Research
09_Scales LAB Slow Playground 
07_Silence SSI
2020
08_Silence MA
08_Silence Book
05_Aus Meinem Balkon  
2019
08_Bannana No!
02_Kopf-Wahrnehmungs-Verstärker
2018
08_Simultaneously Parallel, ASD
2017
08_Hyperbole Station
2016
08_Fonotropicos
2015
07_Sonar Fossil
08_Albedo
2014
05_Cabezas
01_Fonopticos
2013
08_ Crisálida Resonante
09_ Teletransportador
10_Vitrola Baquedano
2012
11_Telefonoskopio

collaboration long term projects
LAB . ZOOZ . BADECIMA

︎    ︎    ︎    ︎    ︎

©2023 Cecilia Nercasseau Gibson


CRISÁLIDA RESONANTE 


The project consists of a small, soft, permeable, fabric space where only one person can enter to experience different spatial sensations. This space is made up of a black fabric and a wooden base, which hangs from the ceiling, thus remaining a few centimetres above the floor (60cm) so that one person can enter seated.
Inside this hanging space are black headphones to appreciate and internalise the sound. There you will hear a track that will be playing constantly. The track is made up of sounds that will form a sensory soundscape, ranging from created sounds (frequencies that give spatial sensations) to real sounds (field recordings).
The created sounds will represent an abstract space, where only its dimension and sensation will be perceived
and sensation through low and high tones; and the real sounds will create a familiar space within the urban
environment, which will show the everyday urban spatiality; either in gaps whether in the voids of the city (green areas) or in the very circulations of the urban interstitial space.

The sound it’s an edited recording with a fixed duration (17 minutes), which will be played in a loop so that it’s constantly repeated and never stops playing, as is the sound itself. 

This project was developed at the Matilde Pérez Competition 2.0, Telefónica, Santiago, CL.


Axonometrica of the space created to hear the piece.





Fotomontage view from the outside


Fotomontage view from the inside