ARQUITECTURA ⇔ MÚSICA   MATERIA ⇔ VACÍO   CUERPO ⇔ ENERGÍA   LO FÍSICO ⇔ LA FRECUENCIA RECEPTOR/ TRANSMISOR ⇔ SEÑAL    SENTIMIENTOS ⇔ PENSAMIENTOS   INSPIRACIÓN ⇔ IMAGINACIÓN   DIE ARCHITEKTUR IST FÜR DIE MUSIK,   WIE DIE MATERIE FÜR DIE LEERE,  WIE DER KÖRPER FÜR DIE ENERGIE,  WIE DAS PHYSISCHE FÜR DIE FREQUENZ,   WIE EIN EMPFÄNGER/SENDER FÜR DAS SIGNAL,  WIE DIE GEFÜHLE FÜR DIE GEDANKEN,  WIE DIE  INSPIRATION FÜR DIE VORSTELLUNGSKRAFT      ARCHITECTURE = MUSIC    MATTER = VOID    BODY = ENERGY      PHYSICAL =FREQUENCY RECEIVER/TRANSMITTER = SIGNAL     FEELINGS =THOUGHTS    INSPIRATION = IMAGINATION  

CEC
ILI
APA
ZNE
RCA
SSE
AUG
IBS
ON
2023
2022
06-11_Outer Membrane that blows at Me 08_Ingredients to Nourish the Membrane of the Present 06_Dreaming LAB
05_CTM Festival Hacklab Contact
04_Fuga Substance 03_Copula Series. Silent Soundscapes
2021
10-12_Silence Accoustic Research
09_Scales LAB Slow Playground 
07_Silence SSI
2020
08_Silence MA
08_Silence Book
05_Aus Meinem Balkon  
2019
08_Bannana No!
02_Kopf-Wahrnehmungs-Verstärker
2018
08_Simultaneously Parallel, ASD
2017
08_Hyperbole Station
2016
08_Fonotropicos
2015
07_Sonar Fossil
08_Albedo
2014
05_Cabezas
01_Fonopticos
2013
08_ Crisálida Resonante
09_ Teletransportador
10_Vitrola Baquedano
2012
11_Telefonoskopio

collaboration long term projects
LAB . ZOOZ . BADECIMA

︎    ︎    ︎    ︎    ︎

©2023 Cecilia Nercasseau Gibson


SIMULTANEOUSLY  PARALLEL 


Concept for an Operetta / Musical Theater. The idea is to create a controlled room with structures that can be used to delimit the space as well as to amplify the sounds of the instruments and voice. The main idea is to make everything as digital but it is not like that; like in the social media, everyone can see and be seen. There are accoustic boxes which have mirrors and when the musician starts to play, the light turns on inside and the real musicians let themselves be seen and if there is no light, the mirrors reflect the audience which will be in the middle of the space surrounded by this structures. It becomes a limitless space where the reality and what is a reflection at the same time co-exist. 











Model 1:25  of the Stage Design




*This is a project which was developed during the MA Studies at the TU_Bühnenbild und Szenischer Raum